“Orphism in Paris, 1910-1930” struggles to convincingly support the thesis that it was a cohesive movement but does serve as a poignant reminder that art once sought to engage more deeply with the ...

Does the name Nadia Khodossievitch-Léger ring a bell? She has a Wikipedia page, but her second husband, the French artist Fernand Léger, has a much longer one. Wikipedia may not be a reliable ...