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The New Criterion
10 小时
The Critic’s Notebook
On Dino Buzatti, George Bellows, Lillie P. Bliss, Mahler’s Ninth, John Soane & more from the world of culture.
The New Criterion
1 天
A Bill’s debts
How Early Modern Playwrights Shaped the World’s Greatest Writer,” by Darren Freebury-Jones.
The New Criterion
2 天
“La bohème” and grand opera
It will go, as they all do. The Aida of Sonja Frisell, which premiered in 1988, ran for about 250 performances. It has been ...
The New Criterion
4 天
Star power
From her opening cries of “Mario!” (three of them), Radvanovsky was sovereign. She was una vera Tosca, a true Tosca. Italian, ...
The New Criterion
6 天
The orchestral Strauss, etc.
Last night, the New York Philharmonic was conducted by Kevin John Edusei, a German born in 1976. He cuts a dashing figure ...
The New Criterion
6 天
Rediscovering Hugo Charteris
On recent reissues of The Lifeline & Pictures on the Wall by Hugo Charteris.
The New Criterion
7 天
“Virgil Thomson at the Chelsea”
Read “Virgil Thomson at the Chelsea” by David Dubal.
The New Criterion
7 天
Veritably Verdi
George Loomis on a production of Verdi’s “La forza del destino” at La Scala.
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