New York Classical Review
3. Stravinsky: The Firebird and The Rite of Spring. Klaus Mäkelä/Orchestre de Paris.. On the brink of leaving one prominent post for two even more prestigious ones in Chicago and Amsterdam, the young Finnish maestro transported listeners to the Paris of 1910 and 1913, or at least to the sensation of hearing these now-classic works as shockingly new.
Top Ten Performances of 2024 - New York Classical Review
2024年12月20日 · 3. Stravinsky: The Firebird and The Rite of Spring. Klaus Mäkelä/Orchestre de Paris.. On the brink of leaving one prominent post for two even more prestigious ones in Chicago and Amsterdam, the young Finnish maestro transported listeners to the Paris of 1910 and 1913, or at least to the sensation of hearing these now-classic works as shockingly new.
Despite some rough edges, Payare’s return pays off with …
2024年10月24日 · Rafael Payare, the very model of a modern multiple music director, had successes here last year with his Montreal Symphony Orchestra and his San Diego Symphony.. Wednesday’s concert of works by Gubaidulina, Mozart and Tchaikovsky with the New York Philharmonic showed what the Venezuelan-born conductor with the controlled but dynamic podium style could achieve with musicians who were not his ...
New York Classical Review
2023年2月28日 · Carnegie Hall to mix Latin music with cornerstone favorites in 2024-25 – Feb 07, 2024. Carnegie Hall executive and artistic director Clive Gillinson introduced the 2024-2025 […]
Mäkelä, Concertgebouw deliver impassioned Schoenberg, …
2024年11月24日 · 4 Responses to “Mäkelä, Concertgebouw deliver impassioned Schoenberg, remarkable Mahler at Carnegie” Posted Nov 24, 2024 at 3:05 pm by CastaDiva. I agree with this well written review.
Mälkki makes both the new and familiar fresh and memorable …
2024年11月1日 · Though little more than a month has passed, the surprise of the New York Philharmonic season so far is how interesting it has been. Waiting two years for incoming music director Gustavo Dudamel means one guest conductor and program after the next.
Bernstein “Serenade” charms and Strauss Alpine climb exhausts …
2024年2月9日 · 4 Responses to “Bernstein “Serenade” charms and Strauss Alpine climb exhausts with Philharmonic” Posted Feb 09, 2024 at 3:28 pm by John F Kelly. I agree with most of this review.
Kurzak brings fresh vocal richness to Met’s “Tosca”
2024年9月26日 · Tosca returned to the Met on Wednesday evening capping off a trio of performances which included the company premiere of Jeanine Tesori’s Grounded and Offenbach’s Les Contes d’Hoffmann to launch the 2024-25 season. The Puccini favorite will return with three different casts, one as star-laden as the next. David McVicar’s 2017 staging is traditional to a tee, except for the odd angle on ...
New York Classical Review
2024年3月14日 · On paper, this week’s New York Philharmonic program is as standard as it gets: Mendelssohn’s Hebrides Overture; Mozart’s Piano Concerto No. 17; and Beethoven’s Fifth Symphony. That leaves little room for surprise, nor anything …
Poetry is king in an intimate “Winterreise” with Padmore and Uchida
2024年3月16日 · People new (and not so new) to classical music sometimes ask, “Why do they call it a recital? Nobody recites anything.” They should come to a recital of Schubert songs by tenor Mark Padmore and pianist Mitsuko Uchida, such as their performance of Winterreise Friday night at Carnegie’s Zankel Hall, and hear how crafting a poem set to music can seem at times more like dramatic recitation ...